a journal of jazz in motion

Issue n°1

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issue n°1

Title of Issue

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The Latest

Multimedia

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Terrace Martin

Multimedia

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Aidan Levy

Multimedia

Summer Walker

Terrace Martin

Impressions

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Aidan Levy

TODAY’S JAZZ LISTINGS

FEATURES

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Terrace Martin

The Emancipation of a Music Department Copy

Aidan Levy

Summer Walker

Terrace Martin

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INTERVIEWS

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Terrace Martin

The Emancipation of a Music Department Copy

Aidan Levy

Summer Walker

Terrace Martin

Impressions

ISSUE n°1

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Aidan Levy

ISSUE n°1

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Walela Nehanda

Multimedia

ISSUE n°1

Summer Walker Copy

Terrace Martin

ISSUE n°1

The Emancipation of a Music Department Copy

Aidan Levy

ISSUE n°1

Summer Walker

Terrace Martin

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CURRENT Issue

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Submissions

Editorial submissions can be sent to

gio@jazzfoundation.org

MASTHEAD

Robert O’Meally — co-founder
Courtney Bryan— co-founder
Aidan Levy — editorial director
Giovanni Russonello — executive editor
Danielle Amir Jackson — managing editor
Denise Frazier — New WOrleans Editor
Joshua Myers — senior editor, reviews and criticism
Matthew McKnight — senior editor, features 


ABOUT

Named in homage to jazz’s greatest iconoclast and quietest philosopher, Thelonious Sphere Monk, sphere: a journal of jazz in motion is a quarterly (but constantly publishing) digital magazine that aims to disrupt and excite public discourse around jazz and Black improvised music.

sphere includes culturally informed criticism; public scholarship; journalistic coverage; and artist-written pieces on contemporary and historical trends in jazz and #BAM, as well as multimedia engagements with the music. A project of the Jazz Generations Initiative (JGI), sphere also interfaces with other elements of the JGI program, including curated daily show listings for New York and New Orleans; video coverage of those cities’ jazz worlds; an active social media presence; and eventually, a podcast and oral history project. The magazine participates in the JGI’s mission to engage in real-time with jazz music as an intergenerational and interdisciplinary art form.

sphere draws inspiration from historical artist- and writer-run publications like The Cricket, The Grackle, The Jazz Review and LOOP; from zines and DIY culture; and from the dailies and alt-weeklies that once fostered such vigorous discussion, debate and public memory-making around music (particularly live music). The magazine attests to the music’s broader spheres of creation, interchange and influence, reaching beyond genre, medium and category to find the music entangled with politics, culture, visual art, poetry, activism and intellectual life.